Assetova Academy

Acting Across Genres

A structured online program covering the craft of performance across dramatic, comedic, and screen-based genres — built for actors who want to work with range, not just instinct.

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What the program covers

Genre shapes every choice an actor makes — breath, tempo, physical register, emotional availability. These eight modules address that relationship directly, moving from foundational technique to applied genre work.

8 4

modules across 4 distinct genre categories

live on‑demand

hybrid format — sessions recorded for review

Physical and Vocal Foundation Breath control, resonance, body neutrality. How the instrument behaves before genre considerations begin.

Dramatic Text — Reading and Analysis Identifying given circumstances, subtext, and through-line in contemporary and classical dramatic scripts.

Playing Drama on Stage Stage presence, emotional truth, pacing in long-form dramatic scenes. Includes partner work and solo etudes.

Comic Timing and Tone Structure of comedic situations, timing principles, the difference between playing funny and creating conditions for humour.

Genres of Comedy — Farce, Satire, Dry Each comedic mode makes different demands on the body and voice. Practical exercises in all three registers with short performance tasks.

Screen Acting Fundamentals Camera proximity, economy of movement, continuity awareness. How stage habits become liabilities in front of a lens.

Audition Formats by Genre Cold reading, prepared monologue, self-tape. What casting in different genres actually expects from an actor at the first meeting.

Final Scene Workshop Participants prepare and present scenes from assigned genres. Live feedback from instructors with written notes afterward.

The people teaching this program

Each instructor works professionally in the area they teach. Feedback on scenes comes from people who have solved these problems in practice, not only in theory.

Stage Drama

Orest Bilyk

Worked with three national theatre companies. Teaches modules 02 and 03, focusing on text work and scene construction.

Screen Acting

Daryna Kovalchuk

Film and television background spanning series and short film projects. Leads the screen-specific modules and the self-tape audition block.

Comedy & Physical Work

Mykola Fedorenko

Stand-up, ensemble comedy, and physical theatre background. Covers modules 04 and 05, with particular attention to timing under pressure.

Voice & Foundation

Halyna Savchuk

Voice coach and movement specialist. Runs the foundation module at program start and contributes to the final workshop assessment.

Acting workshop scene from Assetova Academy program

How the program is structured in practice

Sessions run as live webinars with recordings made available within 24 hours. Each week combines a conceptual block with a practical exercise participants complete between sessions and share for group review.

Live sessions with Q&A and scene work observation
Written feedback on submitted exercise recordings
Small groups — no more than 14 participants per cohort